A lone oak in Surrey Hills mist at dawn
Chapter I

Moving to the hills.

We came to the Surrey Hills for the usual reasons — space, silence, and the sense that a Saturday morning might be measured in miles rather than meetings.

The village we settled in sits on the edge of the Greensand ridge, where the lanes narrow, the hedgerows thicken, and the houses alternate between old estate cottages and the discreetly expensive homes of people who commute to the City on Tuesdays. It is a wealthy corner of England, but not a foolish one: there are still farm gates to mend, still men and women who get up early to do it, and still a feeling that the land belongs to whoever is walking it at dawn.

It was on those dawn walks — and later the longer runs through beech woods and along chalky bridleways — that the place began to announce itself. You would round a bend and there, improbably close, a buzzard would be sitting on a low branch ahead of you. Not startled, not hurried. Watching. Then, just as you began to feel observed, it would lift off with a slow, heavy beat of wings and sweep along the path you were on, clearing the hedge by inches, to settle on another branch twenty yards further on — a new vantage point, the same unblinking attention.

It happened rarely enough to feel like an event. Often enough to become a kind of companion.

A buzzard perched on an oak branchRipe sloe berries on a blackthorn branch

The sloes.

The same walks that produced the buzzards produced the sloes. After the first frost, when the blackthorn berries had lost their chalky bitterness, we would collect them in jacket pockets and old flour bags — never greedily, just enough for a few bottles of homemade sloe gin to last the winter. The ritual became as fixed as the runs themselves: gloves on, flask in hand, the dog pretending not to notice when we stopped to pick.

Sloe gin is a patient drink. You prick the fruit, add sugar and gin, and leave it somewhere dark for months. By Christmas it has turned the colour of garnet; by February it is the thing you offer a friend who has walked through the cold to see you. That combination — something gathered freely from the hedgerow, then refined by time and care — began to feel like the right idea for a brand.

The name.

Buzzard & Sloe is simply what the place gave us. The bird that measures the path ahead; the fruit that sweetens only after frost. Both are common, both are extraordinary, and neither performs for an audience. We wanted a name that sounded like the walk itself — unhurried, alert, a little wild.

Tweed and brass button

What we make.

The Surrey Hills are not a uniform place. In the same morning you might pass a Land Rover Defender outside a Georgian farmhouse, a plumber's van outside a converted cottage, and a cyclist in head-to-toe Rapha training for the weekend. Our clothes are made for the people in the middle: the upper middle class, if we must use the phrase — those who have done well enough to live well, but still know the value of a good pair of boots and a coat that keeps the rain out.

We nod to the super rich in the cut of a shoulder and the weight of a cloth. We nod to the worker in the pockets, the hems, and the fact that every garment is guaranteed for life. Our customer might own an estate, or they might simply borrow one for the weekend. Either way, they understand that refinement is earned, not bought.

Who we are for.

For the person who runs the lanes before breakfast and pours a sloe gin after supper. For those who have muddy dogs and clean tables. For anyone who believes that the best clothes are the ones that improve with use, weather, and memory — just like a walk in the hills.

— Iona & Rupert, founders